What is a youth impetuous
After delighting in the exquisite photography and costumes (both won Oscars the actors beauty , the realism of the language and movements, I couldnt help but think about how time has spared this film so spotless in its. This, and not the oft-repeated premise of how hatred blocks true love, is in my eyes the theme of the popular work. From there we came and to there we are going. The impossibility of copying it, even in a video cassette, caused us to live the experience with avid intensity: We knew so well the value of the ephemeral!
The hypnotic pull of each ones turn in the brief staging of what we call the world. That pause of light, like youth, is a symbol of the fact that we exist in constant motion. And we suffer because we only see the reflection, but some way or another we know that only a (still invisible) permanence could sustain all the changes.
Impetuous fire, ice and desire. Oh, his description is exactly what it was for the time, and to this day if looked at closely still. What is a youth: impetuous fire, what is a maid: ice and desire. The world wags on The words remind us of the transient nature of existence.
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It tones down on some of the Bob Hope one-liners in favorite for a plot, though it has no shortage of them. Grooming and care: Lewine and Cochran recommend trimming nails weekly (its very important to keep them short brushing several times a week, and determining how you are going to care for dental needs.e.
Both received Golden Globe awards as promising youth, but her career bogged down in films that never transcended the mediocre and he soon abandoned the celluloid adventure. Death by death, youth by youth, dream by dream; all is leveled by the devastating power of cosmic life, through the external and unstoppable rush of events. I think insistently: Thats not all. Veronica, vega, juliet, havana, times, when, i wrote the series of articles called.
Where are we going, while the evil Queen Mab, in the words of Mercurio (John McEnery) has fun by tangling up the hair of the sleepers, infecting the lips that aspire to kisses, squeezing the legs of the young. Romeo Romeo himself, who finds in Juliet the realization of a love that he had mistakenly thought he would find in another girl, discovers the uselessness of that violence in the crypt where his wife lies (not dead but in a cataleptic state). This consummation unfolds through the symbolic value of the events that unfold around the singer; the meeting that this propitiates, and the actions that are in turn unleashed; the irony of the lyrics themselves that reflect in synchronized choreography. But then the credits run, the music ends, and Im left with the sensation that something is missing.
Centuries later the impressionists took up this search again, with furor, trying to trap a visual effect: an illusion of light and color before the next change. Its not, then, a denunciation of violence impeding love, but of the hallucination that is any attempt at transcendence in this game, as Mercurio says so well when he turns his own existential pain into a joke: (I dreamt) that dreamers often lie. The world wags on The words remind us of the transient nature of existence and the even more ferocious evanescence of each new generation that, like the preceding ones, transforms their passion into anger, confusion, ingenuity, boastfulness. I trust in anonymity more than in fame, although they could both be different sides of a single mask: that of queen Mab, who activates our delirium and sharpens our tastes only to end in distaste.
I dont mean to say, of course, that this made their lives less valuable. We forget that in the end, its a dream engendered by vain fantasy, insubstantial and inconstant as the air.
Round and round in the carousel of emotions and desires, Cupid gets us all into the game. He looks at Tybalts corpse and expresses that the same hand that caused his death, as retribution, will kill the one who killed him. And just as the dream of these adolescents comes to an abrupt end, to the consternation of their family members who discover the measureless price of hatred, so did the dream end for Leonard Whiting and Olivia Hussey, the actors who played the mythical lovers.
The dilemma of Mercurio, of Hamletof Shakespeare: the pursuit of something more intangible than love, more volatile. The advantages of being poor, I mentioned what it meant to us in the 70s to find that a favorite film had by chance been included in the, tV line-up or was showing at the movie theater. What is a youth: impetuous fire, what is a maid: ice and desire. Where is their youth today?
He, British, she born in Argentina but educated in England, both with factions that seemed to have come right out of a renaissance painting, gave life to this first love that each era clothes with a new identity and new hopes. That privilege was finally mine (!) with Franco Zeffirellis Romeo and Juliet: produced in 1968, first seen in Cuba 10 years later, and justly considered an unparalleled cinematic rendition of Shakespeares play. But today I want to talk about what it means after long years of fishing to finally obtain that same movie in impeccable digital format, with the freedom to repeat any scene you choose, and with radiant colors.